Category Archives: Shorter Works

Family Valued: Baby geniuses and the phantom future

One day when I was a pre-adolescent, a young mother and child paraded through our school escorted by the principal. The child was pre-school age, yet dressed better than the rest of us. He was also better behaved.

So, the principal sits this boy down in front of our high-performance class and begins to read off his accomplishments: something like he spoke five languages, had mastered Newtonian physics, and read James Joyce for fun. The whole room sat in silent awe. We were clearly not worthy. He mostly stared at his mother and paid little attention to anything around him. In retrospect, he probably wanted to have a snack and to go home. In conclusion, the principal led her two companions to the front door of the school and bid them farewell. Neither had articulated a single word, neither was seen again, and the incident was not spoken of again.

I cannot imagine what the principal hoped to accomplish by this dog-and-pony show, probably a misguided effort to lure the child into attending the school.

While I help my son with his homework, occasionally I remember that child in front of my middle-school class. I have to overcome the knee-jerk reaction which says similar phantoms are my boy’s competition for a quality future (you know: the good school, the good job, the good life). The daily repetition of parenting does not lend itself to maintaining a reasonable perspective. The pull of the elite education leading to entry into the imagined stratosphere leads to odd choices — even the little decisions that don’t seem like decisions and suddenly make this math problem in front of us more important than food or happiness or a life well-lived.

January, 2006

B.P.R.D.: Plague of Frogs 3

Quick Rating: A timeout while the pinch-hitter warms up
Title: Plague of Frogs, Part 3

Writer: Mike Mignola
Artist: Guy Davis
Colors: Dave Stewart
Letters: Clem Robins
Editor: Scott Allie

In this issue, members of the Bureau for Paranormal Research and Defense recover from the helicopter crash at the end of the last issue. Pursuing their investigation of the town that amphibians remembered, Johann develops some animosity for the local inhabitants, a cult of frog men led by a shrouded freak. Abe Sapien and Liz Sherman are put through the wringer. Kate Corrigan, mild-mannered professor, struggles to rescue her comrades and herself. Roger is left off-camera.

I can’t help but wonder if this series could have started with this issue. The opening is far more dramatic and the movement seems far less ponderous. I’m not sure if that is the sort of idea that an editor should have considered, but I don’t know for certain what the role of an editor is on a creator-controlled book. Think about it—could an editor ever go to a writer and an artist and say that the first forty pages ought to be cut because they just don’t add much. No comic book publisher is going to scrap perfectly reasonable pages. Take it even further- how do you edit out a panel?

Of course there is a long comic history of text and art being pasted over, but that generally seemed to be for the sake of accuracy or corporate policy. Yet no one looks at the finished art and cuts things here and there just for the sake of clarity or story movement. It was all supposed to be caught long before that point. (I’m more than willing to be wrong here if you have any anecdotes that apply.) Film most notably has a variety of hands pruning the finished product after the art has been created.

Yes, you could jump on in the middle of the story here. It might be a little confusing, but this is a rip-roaring good issue. The art is fantastic, as always when you see the name Guy Davis. If you’ve been a longtime Hellboy reader, then you should definitely jump in now (if you’re still standing by the side of the pool). All signs point to dramatic developments for the entire cast.

June, 2004

B.P.R.D.: Plague of Frogs 2

Quick Rating: The Dreaded Brain Toads
Title: Part 2

Writer: Mike Mignola
Artist: Guy Davis
Color: Dave Stewart
Letters: Clem Robins
Editor: Scott Allie

What can one say about Roger the Homunculus that has not already been said? He is an artificial man created through alchemical means. This is my assumption, because I have not read all his tales and am not a Hellboy savant. I also assume that leaves him impervious to feeling. That seems to fit the character. For that matter, I have not even seen the movie. Over the past week or two, I spent my time and money on comic books, rather than their shadows. I will see the movie, but probably in the distant future. (I saw Truffaut’s Day for Night instead when I longed for film last week and it was entertaining enough. Much like Hellboy, no one will be watching it or talking about in a year, except for your weird friend—the one with the bad haircut and penchant for old movies.)

What else did I do this past week? I read comic books and I can barely remember what they were about. According to Dark Horse, the plot of this issue was: “The Bureau for Paranormal Research and Defense traces the disappearance of a giant fungus to a deserted town. Separated from the group when their helicopter crashes, Roger the Homunculus, enthralled by a mysterious child, winds up hanging from the neck in an abandoned building. Meanwhile, the rest of the B.P.R.D. team lies unconscious at the crash site, and Abe Sapien dreams of underwater terrors.” That sounds about right to me. There was also a helicopter crash.

The art looked nice—I remember that. I have long enjoyed Guy Davis’ work, even though I’m not sure how he prefers to have his name pronounced.

The thing is that you can really admire a work of art—even recognize the skill and talent and downright work that went into its production—and still not give much of a hoot. In a nutshell, that probably describes the reality within which architects operate. It certainly describes my feelings about B.P.R.D. and Day for Night. You’ll probably enjoy them. You might even be impressed by them, but it just feels like I’m name-dropping when I mention them. Right now, I’m holding my place and waiting for the next issue.

Ohh, and I played paintball. That I remember, but it left bruises.

April, 2004