The Impression That I Get

Song written by Dicky Barrett and Joe Gittleman
Performed by The Mighty Mighty Bosstones

I have been close to tragedy. And I am grateful for those who offered a hand or a shoulder or a word. And this is one of the songs which I play at those times. Yes, this is what you hear as loud as the car stereo can go. (If you want to plumb even more depths, the next song is usually by Lyle Lovett and not so loud. We’ll get to Mr. Lovett somewhere down the road. If I have done my job properly, then you’re wiping a tear right about now- Happy Halloween!)

If there was ever a pop song that deserved to be a hit as an artistic achievement on all counts, I would vote for The Impression That I Get. It was a hit, but still, it needs to be said. So often, standing somewhere with piped-in music and hearing something that makes the ears cringe, we turn to anyone nearby, “Can you believe this was ever a hit?” The challenge is to think about the songs that were hits that really deserve it. For the most part, we are partial to beloved bands that have stayed in our minds, but it is worth paying homage to those really fantastic bands that accomplished timeless greatness, while maybe slipping from the global conversation.

And the Bosstones are a truly fantastic band.

They cover Detroit Rock City and Simmer Down. One male band member plays the… well, he’s the dancer (hey, that matches the mosh pit which is pretty much guys). Really, what more do you need to know?

Nevertheless, great art only comes from a certain openness to the world and the experience of life. Normally, the idea of the closed-off artist conjures visions of some rock star locking themselves away in a hotel room, only to set foot outside it for performances on stage or in the studio. Really, considering the touring schedules and shear amount of work involved in maintaining a high level of skill at their chosen field, it is amazing that working musicians have time to do anything else. So, I am not talking about bicycling to your favorite record store or checking out local museums (which are good).

I am talking about artists who become emotionally closed off from experiencing life in such a way that they can no longer transform their experiences into art that communicates with their audience. I suspect this is what we see when young artists become popular too quickly. Teenagers are generally so filled with emotions trying to get out that they don’t have a lot of time for emotions getting in. At some point, the artist stops making a connection and starts becoming a spectacle. This is what we get when we make our popular art a youth-driven phenomenon.

To find a ska-core song specifically about empathy, that most important of all artistic qualities, is simply wonderful. This is not the only Bosstones tune that demonstrates the heart within the art- these artists continue to move the ball a little bit forward for all of us.

What’s it all about?

You’ve Got to Check This Out is a blog series about music, words, and all sorts of artistic matters. It started with an explanation. 227 more to go.

New additions to You’ve Got to Check This Out release regularly. Also, free humor, short works, and poetry post irregularly. Receive notifications on Facebook by friending or following Craig.

Images may be subject to copyright.

John Huston, director, screenwriter and actor

I found it impossible to select a single Huston film to highlight above. When the first movie that you direct is The Maltese Falcon (Humphrey Bogart version which made all others superfluous) followed a few years later by The Treasure of the Sierra Madre, well… let’s just say that favorites become impossible to pick. For that matter, In This Our Life which came between the two is no slouch either though not considered a classic. If I had to guess, I would say that he was associated with more of the best films of the 20th century than any individual who did not run his own studio. Pick any one of them and have a great time.

If you are of a certain age, then you may know John Huston as part of a famous Hollywood family. If you follow Hollywood, then you know him for Prizzi’s Honor (his last hit in 1985). Maybe you recall him dying somewhat publicly while trying to finish his last eerily apropos film, The Dead. If you are a bit more obsessive about movies, then you may know that he was responsible for Annie, Key Largo and The African Queen. Writing about the experience late in life, Kathryn Hepburn made much of the trials of filming in Africa with Huston and Bogart, so that filtered into the publicity ether also. If you are not of a certain age, then the name is likely new to you. Even his offspring have faded from significant public notice.

The work that Huston did

remains among the finest in the first century of film-making. Nevertheless, I wonder how many people actually see it. This is an old problem, as bad as a modern baseball player asking who Stan Musial was. I don’t think the comparison is inappropriate. Film and baseball came to true prominence in the early 20th century as major American industries. Both Musial and Huston are names which anyone doing the least delving into their respective histories will get to know. Alfred Hitchcock is more like Babe Ruth, but neither of them is anything like the whole story.

Art and sports are ephemeral, the quality which leavens them with significance as they boil our lives down to moments. In truth, the very nature of artistic and athletic moments almost demands that they pass unremarked and unremembered. If you were not there, then what does it matter?

While art and sport occur in a vacuum created by all the participants, that moment as communication between creator and spectator exists only for them. Its significance is theirs as shared emotion. But that leaves out the value of the moment to a shared culture. We create our culture as a society by selecting those artistic (and athletic) moments that we will value and carry forward.

The question becomes how you want to define your society. Going forward, will it be inclusive enough to include John Huston and Stan Musial, Yasujirō Ozu and Bart Starr, Raoul Walsh and Kapil Dev? The blessing of culture is that, while it adds distance to the original event, we move forward with technology that allows us to recreate some of the magic of those achievements.

What’s it all about?

You’ve Got to Check This Out is a blog series about music, words, and all sorts of artistic matters. It started with an explanation. 228 more to go.

New additions to You’ve Got to Check This Out release regularly. Also, free humor, short works, and poetry post irregularly. Receive notifications on Facebook by friending or following Craig.

Images may be subject to copyright.